.From Monument to Masses

On Little Known Frequencies

Consider On Little Known Frequencies — either From
Monument to Masses’ second, third, or fourth record, depending on how
you count, but at least four years behind their last — your
official introduction to this spectacularly talented local band. It’s
not unfair to do so, for the 51-minute, eight-track collection
captures, distills, and reimagines everything the group’s done so far:
in essence, an all-instrumental hybrid of post-rock, post-punk, and
electronics interlaced with political and protest-minded audio
snippets. The band’s name will give you a clue to its message: a motion
to wrest power from figureheads (“monuments”) and return it to the
people (“masses”).

The result of a cross-country collaboration between Bay Area
guitarist Matthew Solberg and bassist Sergio Robledo-Maderazo and New
York drummer Francis Choung, Frequencies is a dense,
multilayered adventure, both ethereal and confrontational, through the
extraordinary audio territory the band has mapped for itself since
forming in 2002. Looped guitar riffs pile atop one another over crisp,
precise, powerful drumming, while thick bass lines provide both bedrock
and counter-melody. The album features more sophistication and poise
— and likewise, less punk aggression — than anything before
it, as well as new levels of rhythmic experimentation (“Let Them Know
It’s Christmastime” ventures into world music with an African
polyrhythm) and new instruments, including turntable, cello, and viola.
Some of the guitar parts may be partially recycled from earlier works,
but if you pick up here, as many new fans surely will, you’ll never
know the difference. (Dim Mak Records)

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